Saint Stephen in the synagogue

The attribute has not arrived yet

Stephen is named by stones. This title names the moment before them: the synagogue, the argument, the accusation. 2 titles in this collection name Stephen, and between them they hold the two halves of a single story — one the martyrdom, this one the dispute that precedes it. In the earlier scene the identifying object is unavailable, so the saint is known by the setting and by the deacon's dalmatic, which is the one part of his kit that belongs to his office rather than his death.

What the record holds

The catalogue dates the work to 1562 and gives the Museo del Prado in Madrid as its location. The dimensions are 160 x 123 cm. It is filed under group portraiture and religious cultural heritage, with Mannerism Late Renaissance as the style and Spanish as the nationality; the measured colour family is brown.

A panel from a sequence

A picture that stops at an intermediate point in a legend is almost always part of a series: one episode per panel, read in order, with the attribute distributed across the set rather than concentrated in a single image. The record does not say what accompanied this one, and no sequence is claimed here. What the title establishes is the position — before the ending, in the part of the story where a saint is still arguing.