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Stephen is named by stones. This title names the moment before them: the synagogue, the argument, the accusation. 2 titles in this collection name Stephen, and between them they hold the two halves of a single story — one the martyrdom, this one the dispute that precedes it. In the earlier scene the identifying object is unavailable, so the saint is known by the setting and by the deacon's dalmatic, which is the one part of his kit that belongs to his office rather than his death.

What the record holds

The catalogue dates the work to 1562 and gives the Museo del Prado in Madrid as its location. The dimensions are 160 x 123 cm. It is filed under group portraiture and religious cultural heritage, with Mannerism Late Renaissance as the style and Spanish as the nationality; the measured colour family is brown.

A panel from a sequence

A picture that stops at an intermediate point in a legend is almost always part of a series: one episode per panel, read in order, with the attribute distributed across the set rather than concentrated in a single image. The record does not say what accompanied this one, and no sequence is claimed here. What the title establishes is the position — before the ending, in the part of the story where a saint is still arguing.

About the Author

Louie Drehmer, Curator, Saints Oil Paintings

Louie curates Saints Oil Paintings, cross-referencing every entry against museum records, Wikidata, the Getty Union List of Artist Names, and Wikipedia.

Saint Stephen in the synagogue

Vicente Juan Masip

Saint Stephen in the synagogue is an oil painting by Vicente Juan Masip, 1562, held at Museo del Prado, Madrid, Spain.

Catalogue Entry

Date
1562
Location
Museo del Prado, Madrid, Spain
Dimensions
160 x 123 cm
Origin
Spanish
CC Public domain
Curated by Louie Drehmer