Named by an order

Benedict is identified by the habit of the order that follows his Rule: a black monastic tunic and cowl. To that the tradition adds an abbot's crozier, a book — the Rule itself — and sometimes a raven or a broken cup, both drawn from episodes in his legend. He belongs to the class of saints named by office rather than by martyrdom, and the attributes are correspondingly institutional: what he wears, what he wrote, what he governed.

What the record holds

The catalogue dates the work to 1579 and gives the Museo del Prado in Madrid as its location. No dimensions are recorded in this entry. It is filed under male portraiture, with Mannerism Late Renaissance as the style and Spanish as the nationality. The measured colour family is neutral, which is the expected reading for a subject whose costume convention is black and undyed cloth.

A single figure, on a series footing

The record files this as portraiture rather than as narrative, and that classification fits a type of image common in sixteenth-century Spain: the standing or half-length saint, one per panel, identified by habit and object, made to hang in a set. Nothing in this entry says what set it belonged to, and nothing of the kind is claimed. The category field is describing the kind of picture, not its history.